Ser jazzista en Cuba. Del imaginario al juicio estético

Liliana González Moreno

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Being a jazz musician in Cuba. From the imaginary to the aesthetic judgment

Authors

Liliana González Moreno Universidad de La Habana https://orcid.org/0009-0006-4619-8229

Vol. 74 No. 233 (2020): Enero - Junio

Abstract

This article reflects on the local training in the field of jazz in Cuba, highlighting the ambiguous and at the same time decisive position of the academy, and the self-taught learning of improvisation and jazz thinking, turned into tradition. The management platform, becomes a reference for the configuration and legitimization of aesthetic judgments about jazz in Cuba.

Keywords:

Management platform, Cuban jazz scene, social legitimation

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How to Cite

González Moreno, L. (2020). Being a jazz musician in Cuba. From the imaginary to the aesthetic judgment. Revista Musical Chilena, 74(233), pp. 49–68. Retrieved from https://rchdt.uchile.cl/index.php/RMCH/article/view/57944